This paper will present Aristotle Pollisco—the singer-rapper-songwriter known as Gloc-9—as an organic and a as-yet-unrealised public intellectual. The term “organic” describes Gloc 9’s lack of academic or institutional recognition. No academic institutions recognize his level of influence and power. As a public intellectual, however, Gloc-9 enjoys immense popularity with his core fanbase, which is largely made up of listeners from the lower classes.
This paper uses both Antonio Gramsci’s definition of the organic public intellectual and Edward Said’s claim regarding the exhortation of public intellectuals who exercise their political will in the public sphere. Mikhail Bakhtin’s discourse on the carnivalesque will bolster this paper’s claim that Gloc-9 assumes the role of an organic public intellectual through his music. In attempting to confront powerful institutions, Gloc-9 upends the social order through his songs rather than engaging other public intellectuals and scholars in ideological discourse. The paper will closely examine five of Gloc-9’s chart-topping songs dealing with poverty, social injustice, gender inequality, and corruption.